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Jean Siméon Chardin French
On view at The Met Fifth Avenue in Gallery 629
In 1728 Chardin was admitted to the French Royal Academy, immediately establishing himself as the century’s most famous still-life painter. This work comes from that early moment in his career. Chardin and his patrons appreciated seventeenth-century Dutch and Flemish art, including earthy still-lifes that departed from courtly splendor. Chardin set up a careful balance of form that contrasts the living and dead, the raw and cooked. Fur, feathers, orange rind, and reflective silver are visually convincing yet never disguise the rough texture of paint. The leading art critic of the day, Denis Diderot, praised how Chardin seemed to grind “the very substance” of the things into his pigments: “You dip your brush in air and light and spread them on your canvas.”
This artwork is meant to be viewed from right to left. Scroll left to view more.
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Fig. 1. Painting in frame: overall
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Fig. 2. Painting in frame: corner
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Fig. 3. Painting in frame: angled corner
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Fig. 4. Profile drawing of frame. W 5 3/4 in. 14.6 cm (T. Newbery)
Artwork Details
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Title: The Silver Tureen
Artist: Jean Siméon Chardin (French, Paris 1699–1779 Paris)
Date: ca. 1728–30
Medium: Oil on canvas
Dimensions: 30 x 42 1/2 in. (76.2 x 108 cm)
Classification: Paintings
Credit Line: Fletcher Fund, 1959
Accession Number: 59.9
Learn more about this artwork
Peter Hristoff on Reading Symbols in Art
Artist in Residence Peter Hristoff meditates on the use of symbols in art as a means of communicating information about the artist, culture, time period, and even ourselves.
Timeline of Art History
Essay
Genre Painting in Northern Europe
Chronology
France, 1600-1800 A.D.
Museum Publications
The Metropolitan Museum of Art. Vol. 6, Europe in the Age of Monarchy
Masterpieces of The Metropolitan Museum of Art
Masterpieces of The Metropolitan Museum of Art
Manet, 1832–1883
French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution
European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue
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- From A.D. 1600–1800
The Serinette
After Jean Siméon Chardin (French, Paris 1699–1779 Paris)
n.d.
Le Garçon Cabartier
ca. 1740
Boy Sitting on a Chair Holding a Shuttleco*ck
Possibly after Jean Siméon Chardin (French, Paris 1699–1779 Paris)
late 18th century
Cat Surveying Fish and Fowl on a Table
Attributed to Jean Siméon Chardin (French, Paris 1699–1779 Paris)
1753
Soap Bubbles
Jean Siméon Chardin (French, Paris 1699–1779 Paris)
ca. 1733–34
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